Web-ready generation sheet — OhhO hero demo + OhhO OS

Paste-ready prompts for generating the two priority films directly on the higgsfield.ai website (the free trial allows website generation; it blocks the API/MCP, which is why these are formatted for manual paste). Tuned for the trial's unlimited tier: Seedance 2.0 at 720p, 8 s per shot. Each SHOT block below is one 8-second generation — copy the whole fenced block, paste it, generate, then move to the next shot. Assemble the shots in order in any editor.

On a paid plan the same shots go to 15 s / 1080p — the canonical storyboards in demo.md, ohho-os.md and README.md describe that longer/higher-res version. This sheet is the trial-optimized cut.

These two films use the exact locked look from README.md (photoreal live-action, brand color only in practical lighting, all screens defocused so the films never date against the site UI). The full 21-product set lives in the other files in this folder; this sheet is just the two you asked to finish first.

Higgsfield web UI settings (use for every shot)

Why the shots are written tight: at 8 s each shot holds one dominant action and one camera move — that is what reads cleanly at this length. Don't add extra beats to a shot; add another shot instead.

If Higgsfield suggests a preset (e.g. "IN THE DARK") when you paste, choose "generate literally / use my prompt" — the locked STYLE block is what keeps all the films consistent.

For the smoothest continuity: if the web UI offers a storyboard / multi-shot (long-video) mode, add these shots in sequence there and let it carry continuity. Otherwise generate shot-by-shot and, where the model lets you, feed the previous shot's last frame as the next shot's start frame.

Step 0 — make the keyframe still first (recommended)

Model Nano Banana Pro (also unlimited on your trial), 16:9 (drop to 1K if 2K isn't covered on your tier). Reuse the result as the first-frame/reference image on SHOT 1 and the Hero shots, and as the video poster.

Photorealistic cinematic still, a premium robotics brand film frame shot like an Apple product documentary. A modern robotics lab in near-darkness: polished concrete floor, dark matte walls, one aluminum-extrusion workbench rimmed by a cyan LED strip, a real wheeled mobile robot silhouetted in thin atmospheric haze, deep violet ambient fill far in the background. Full-frame 35mm cinema lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain, cool high-contrast grade with near-black shadows. The upper third of the frame is clean dark negative space. No text, no people, no faces, no logos, no CGI look — it must read as filmed footage. 16:9.

Film 1 — OhhO hero / main product film (demo)

The story: write one behavior, run it on any robot — wheeled base, arm, quadruped, drone — and the data compounds through a record → train → serve loop. This is the flagship film for the homepage hero, /start and /why. Primary accent: cyan.

8 shots × 8 s = 64 s. Generate each block below as one clip, in order.

Tip: shots 3, 4 and 5 (wheels / arm / legs) should feel like the same move on different bodies — reuse the same seed and keep the tracking speed identical so the rhyme reads.

SHOT 1/8 — The desk

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: cyan (hex #00D4FF) is the dominant practical light in every shot (bench strips, status rings, screen spill); violet (hex #7C3AED) only as faint background fill.

SHOT — The desk: A dark robotics lab at night, haze in the air. A desk lamp pools over a mechanical keyboard; hands type and a finger firmly presses the enter key. One slow cinematic push-in onto the key. The terminal screen is a soft defocused cyan glow, cyan LED practicals along the room's edges.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 2/8 — Ship it

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: cyan (hex #00D4FF) is the dominant practical light in every shot (bench strips, status rings, screen spill); violet (hex #7C3AED) only as faint background fill.

SHOT — Ship it: A single pulse of cyan light leaves the desk and runs along the floor cable runs, splitting cleanly three ways into the dark. The camera tracks the travelling light low across the polished concrete in one smooth move.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 3/8 — Body one — wheels

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: cyan (hex #00D4FF) is the dominant practical light in every shot (bench strips, status rings, screen spill); violet (hex #7C3AED) only as faint background fill.

SHOT — Body one — wheels: A real wheeled mecanum-drive mobile base wakes, its status ring snapping cyan, and glides one smooth curve across the floor. A low tracking shot rides alongside, rubber wheels catching the light.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 4/8 — Body two — the arm

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: cyan (hex #00D4FF) is the dominant practical light in every shot (bench strips, status rings, screen spill); violet (hex #7C3AED) only as faint background fill.

SHOT — Body two — the arm: A six-axis robot arm wakes with the identical cyan status ring and traces one smooth arc in the air above its bench — the same behavior, a completely different body. A matched slow tracking move, same speed as the previous shot.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 5/8 — Body three — legs

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: cyan (hex #00D4FF) is the dominant practical light in every shot (bench strips, status rings, screen spill); violet (hex #7C3AED) only as faint background fill.

SHOT — Body three — legs: A four-legged quadruped robot wakes, ring cyan, and walks one smooth curved path across the floor — a third body, the same shared behavior. A low tracking move alongside, matching the previous shots' rhythm.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 6/8 — Record, train

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: cyan (hex #00D4FF) is the dominant practical light in every shot (bench strips, status rings, screen spill); violet (hex #7C3AED) only as faint background fill.

SHOT — Record, train: A teleop bench: hands drive a leader arm while its follower twin mirrors the move under synced record lights; behind them a GPU server rack breathes under load in the dark. One slow dolly binds recording to training.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 7/8 — Serve, compound

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: cyan (hex #00D4FF) is the dominant practical light in every shot (bench strips, status rings, screen spill); violet (hex #7C3AED) only as faint background fill.

SHOT — Serve, compound: The wheeled robot repeats its pick-and-place noticeably faster and cleaner; beside it a small drone spools up, ring snapping the same cyan — a fourth body joining. A wide, slow push-in as the fleet grows.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 8/8 — Hero

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: cyan (hex #00D4FF) is the dominant practical light in every shot (bench strips, status rings, screen spill); violet (hex #7C3AED) only as faint background fill.

SHOT — Hero: All four robots — wheeled base, six-axis arm, quadruped and drone — arranged around the desk where it began, status rings breathing cyan in unison, the terminal still glowing. A slow rising orbit pulls up through the haze and holds. Upper third clean dark negative space for the wordmark.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

Film 2 — OhhO OS

The story: one small identical engine drops into four completely different robots and they all run the same behavior in unison — the robot-agnostic runtime made literal. Primary accent: violet.

6 shots × 8 s = 48 s. Generate each block below as one clip, in order.

Tip: shots 2 and 3 (slotting the module in) carry the whole idea — keep the macro framing tight and the click moments clear.

SHOT 1/6 — Four bodies

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: violet (hex #7C3AED) is the dominant practical light in every shot (bench strips, status rings, screen spill); cyan (hex #00D4FF) only as faint background fill.

SHOT — Four bodies: Four dark, powered-down robots in a row — a wheeled mobile base, a desk-mounted six-axis arm, a four-legged quadruped, and a drone on its pad — with one small identical compute module in the foreground on the bench. One slow motorized slider along the line-up in deep violet light, haze in the beams.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 2/6 — One engine

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: violet (hex #7C3AED) is the dominant practical light in every shot (bench strips, status rings, screen spill); cyan (hex #00D4FF) only as faint background fill.

SHOT — One engine: Macro shot. Hands slot the small compute module into the wheeled base's chassis bay; it clicks home and the robot wakes, a violet status ring lighting up. One slow push-in on the machine coming alive.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 3/6 — Same engine

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: violet (hex #7C3AED) is the dominant practical light in every shot (bench strips, status rings, screen spill); cyan (hex #00D4FF) only as faint background fill.

SHOT — Same engine: Identical compute modules click into the arm, then the quadruped, then the drone, one after another — each robot waking with the same violet status ring. The camera tracks smoothly down the line as the lights come on.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 4/6 — One behavior

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: violet (hex #7C3AED) is the dominant practical light in every shot (bench strips, status rings, screen spill); cyan (hex #00D4FF) only as faint background fill.

SHOT — One behavior: Wide shot. All four robots move at once — the same single motion in four dialects: the base glides, the arm arcs, the quadruped walks, the drone flies the same line. Deliberate unison, violet rings breathing together.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 5/6 — The stack

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: violet (hex #7C3AED) is the dominant practical light in every shot (bench strips, status rings, screen spill); cyan (hex #00D4FF) only as faint background fill.

SHOT — The stack: A defocused monitor beside the robots shows one soft glowing node-graph. The camera racks focus from the glass to the four synced machines beyond it — one runtime, four bodies — in a single slow arcing move.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

SHOT 6/6 — Hero

STYLE: Photorealistic live-action cinematography — a premium robotics brand film shot like an Apple product documentary. Real physical robots and real hardware in a modern robotics lab: polished concrete floor, dark matte walls, aluminum-extrusion workbenches, neat cable runs, server racks and large monitors. All light comes from practical sources inside the space: one cool white key light, cyan LED strip accents (hex #00D4FF) and deep violet ambient fill (hex #7C3AED), with thin atmospheric haze catching the beams. Cinema-camera look: full-frame sensor, 35mm prime lens, shallow depth of field, filmic highlight roll-off, subtle natural film grain. The camera moves only on a motorized slider, gimbal or jib — one slow deliberate move, no shake. Materials read physically real: brushed aluminum, anodized black metal, rubber wheels, braided cables, glass screens with true reflections. Every monitor shows only a soft out-of-focus dark dashboard, never readable text. Mood: calm, confident, precise, quietly futuristic. Grade: cool, high-contrast, near-black shadows with neon cyan and violet practicals, never oversaturated. Audio: diegetic room sound only — servo whirs, fan hum, connector clicks, a low warm hum; no music with lyrics.

PRIMARY ACCENT: violet (hex #7C3AED) is the dominant practical light in every shot (bench strips, status rings, screen spill); cyan (hex #00D4FF) only as faint background fill.

SHOT — Hero: The four robots hold formation, status rings breathing violet in unison, the compute module's identical siblings glinting on the bench in the foreground. A slow rising orbit pulls up through the haze and holds. Upper third clean dark negative space for the title.

NEGATIVE: no CGI look, no 3-D render or motion-graphics, no holograms, no wireframes, no cartoon or anime, no recognizable human faces (hands and silhouettes allowed), no readable on-screen or printed text, no logos or watermarks, no warm sunny tones, no oversaturation, no cuts inside a shot, no shaky handheld camera, no heavy lens flares.

After generating

1. Assemble each film's shots in order in your editor (cut on the camera settling, or crossfade 6–10 frames for a seamless flow).
2. Overlays (never rendered by the model — composite in post): the OhhO wordmark (first & last O cyan #00D4FF, middle hh white), the product name + tagline over the Hero shot's negative space, the CTA, and The Open Robotics Platform. See the overlay table in README.md.
   • Demo CTA: Start in 5 minutes →
   • OS product name: OhhO OS · tagline: The open-source engine for any robot. · CTA: Install the engine →
3. Export muted H.264/WebM 16:9 to:
   • website/public/videos/demo.mp4 (+ demo.jpg = the keyframe, as poster)
   • website/public/videos/products/ohho-os.mp4 (+ ohho-os.jpg poster)
4. A short loop cut of the Hero shot alone works as the autoplay card / homepage background.

Going longer & bigger

• Length: 8 s is the trial-unlimited per-shot ceiling, so the demo (64 s) and OS (48 s) films get their length from sequencing the shots above. To stretch further, run any shot (especially a Hero hold) through Higgsfield's AI Video Extender to lengthen or loop it seamlessly — every shot ends on a deliberate hold for exactly this.
• Resolution: generate at 720p now; if you want a crisper master later, run the finished cut (or individual shots) through Higgsfield's video upscaler to 2K/4K, or re-generate at 1080p once you're on a paid plan.
• More beats: to enrich a film, add another 8 s shot rather than lengthening an existing one — duplicate a block, change only the SHOT — action line, keep the STYLE and ACCENT identical.